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I write both poetry and prose that explores nature, memory, and the nature of memory. Much of my writing also deals with haunting and rests on the idea that, whether our ghosts are literal or metaphorical, they are real nonetheless. I write from a distinctly queer perspective, one that moves to normalize and center queer narrative as a means of pushing back against our marginalization—and by extension, the marginalization of so many identities and voices. 

poetry

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The Summer of Starting Over
Plainsongs Poetry Magazine, Volume 43, Issue 1

Plainsongs’ title suggests not only its location on the Great Plains but also its preference for the living language, whether in free or formal verse. Published twice a year from their home base in Hastings, Nebraska, Plainsongs presents poems that seem to be aware of modernist and postmodernist influences, not necessarily by imitation or allusion, but by using the tools provided by that rich heritage. Featuring poetry that runs the gamut from traditional to experimental, from realist to surrealist, Plainsongs strives to capture the multiplicity of voices, including those of feminist, nonwhite, immigrant, and LGBTQ+ writers, that make up this vibrant and diverse Midwestern soundscape. Poets from all fifty states and many foreign countries contribute regularly to Plainsongs.

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From a cabin outside Flagstaff, Arizona
Utah contest winner

peculiar: a queer literary journal, issue 9

peculiar is a queer literary journal showcasing prose, poetry, art, and photography. With roots in the Mormon stronghold of Provo, Utah, peculiar began as a way to recognize the creative talents of Utah’s often-overlooked queer community.

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For our children, never to be born; It was always raining; Requiem for the Whole-Hearted
Cathexis Northwest Press, August 2021

Cathexis Northwest believes poetry should exist in more places and publishes the best poetry — whether that be award-winning poets or a new writer’s first published work. Located in Portland, Oregon they have published without geographic bounds since 2018.

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Yoko Ono Teaches Prometheus a Thing or Two
Zone 3 Literary Journal

Spring 2021, vol. 36, no. 1 

Founded in 1986 by APSU professors David Till and Malcolm Glass, Zone 3 is a nonprofit literary press dedicated to publishing and promoting the work of emerging writers. The literary journal is published twice a year and nationally distributed by the APSU Center of Excellence for the Creative Arts. 

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Midway through the Journey
contributed to Blossom as the Cliffrose

edited by Karin Anderson
& Danielle Beazer Dubrasky

Torrey House Press, 2021

Blossom as the Cliffrose: Mormon Legacies and the Beckoning Wild features original poems and prose by talented writers who are faithful, non-faithful, believers, heretics, converts and de-converts, dragged in or forced out of the Mormon faith. This dynamic collection demonstrates the breadth, complexity, and diversity of a Latter-day Saint legacy of commitment to natural place and challenges us to examine the myriad ways our own deeply rooted heritage shapes our personal relationship with landscape.

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We Can't Capture the Sky
featured in Circle Show, vol. 19
Seven Circle Press, 2019

 

CircleShow was published twice yearly by Seven CirclePress, a fiercely independent micropress founded in 2008.

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What We Found There and Etymology of a Dodged Bullet
featured in Gravitas, vol. 18, no. 2
Pub House Books, 2019

 

Gravitas is a poetry-based publication edited by Canadian poet, Andrew Lafleche.

Twilight Sunset

You don't notice

featured in Roanoke Review, 2019
 

Roanoke Review was co-founded in 1967 by Roanoke College student Edward A. Tedeschi and teacher Henry Taylor, who went on to win the Pulitzer Prize in poetry for The Flying Change in 1986. For over half a century, the Review has established itself as a home for new and established authors writing in both traditional and experimental forms.

prose

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A Trick of Uncertain Light
featured in The Horror is Us
Mason Jar Press Press, 2020

 

The Horror is Us is an anthology about monsters and the monstrous things that grow from us—individually and together. It examines the horrors we experience and put each other through. The authors within this creeping collection demonstrate an eye for taking our world and adjusting the picture of it until we can see the gleaming teeth that were always there. A mix of killers, the supernatural, and everyday fears play out in these short stories that blend the aesthetics of slasher films, ghost stories, campfire tales, and thrillers. The Horror is Us gives a view into other people’s fears and asks us to feel that fear with them.

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Fractured
Apiary Magazine, December 2019

Apiary was a literary journal founded in 2009 by a group of friends in Philadelphia. They wanted to create a journal that looked like the literary city they knew and set out to pair page poets with spoken word artists, retirees next to veterans writing to recover from PTSD, teens writing poetry alongside MFA fiction writers.

Fig Cut in Half

Not All Figs are for Eating
Underwood Press, March 2019

Underwood Press is a micro, craft press. It is a place for writers to showcase their work and readers to enjoy their creations.

© 2025 by Laura Walker
Laura Walker is a writer and educator whose work explores nature, grief, and the things that haunt us.

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